The Margot Corner
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A Day in the life of Margot Robbie

Source: Harper’s Bazaar
Date: Aug 15, 2016

The actress and new face of Calvin Klein calls in from work.

2:00 P.M. I don’t have a daily routine per se. It’s dictated by whatever job I’m working on, and at the moment I’m in Budapest filming an indie movie called Terminal. I’m the lead character and also a producer, so it’s very busy. We’re doing night shoots, which I’m so happy about because I hate waking up early in the morning. These days I get up mid-afternoon and have what I call green stuff. I don’t know the name of it, but it’s an immune-boosting powder that you mix in with a bit of juice. My mom used to make me take it if I was getting sick, but now when I’m doing jobs I take it every day. If you get sick, you know, people can’t film. It tastes disgusting, but it’s good for you. After drinking that, I take a quick shower. I use Dr. Lancer’s cleanser. When I get out, I dab on some La Prairie eye cream. There’s a dermatologist in Australia who has a skin-care line calledBloc Cosmetics; I like the day-night moisturizer. So that’s my beauty regime. Then I make a quick cup of tea, grab all my stuff, and go. I bring Dilmah tea with me everywhere, and when I’m in England I drink PG Tips. Whenever someone makes me a cup of tea, I’m like, “Imagine you’re making it for a small child—really milky and sweet.” I probably drink at least 10 teas a day. In our family, a cup of tea is the answer to everything. When you walk in, you get offered a cup of tea. If something goes wrong, someone will be like, “I’ll make you a cup of tea.” If something good happens, they will be like, “Great! We’ll make you a cup of tea.”

2:20 P.M. At this point I’m just wearing comfy clothes. Right now it’s a plain white T-shirt with Zoe Karssen track pants and Anine Bing white sneakers. My dialect coach comes with me in the car and we do warm-ups on the way to work. Today we’re working on an English accent, not fully cockney but similar. It’s tailored to work for the character. I do all my research for accents on YouTube. It’s amazing; you can find the most bizarre or unique accents online. Then I convert it to MP3 and put it on my iPod. I can listen and mimic throughout the day. In Suicide Squad, for example, I was doing a scene where I’m getting electrocuted, and I was like, Okay, am I going to be doing this accurately? And I went on YouTube and looked up people touching electric fences.

3:00 P.M. I arrive to set and go to the hair and makeup bus. While I’m getting my hair done, I put on Talika under-eye patches. They help with puffiness. We’ve got pretty extravagant hairstyles in this film because it’s almost a futuristic world. It’s sort of how Gwen Stefani does her hair—we used some of her looks as reference. At the same time, I write all of my e-mails on my MacBook and eat. Avocado on toast and bacon, that’s my ideal breakfast. Today I actually ate half a steak. It’s random, but I went to this really good steak restaurant two nights ago and I had steak left over, and I was like, “Goddamn, I can’t wait until lunch, I want to eat it now.” The makeup artists use whatever products they want, but on this job they are using Armani foundation, which works well on my skin. When I’m not filming, I use Ellis Faas foundation mixed in with moisturizer. My favorite Lancôme mascara—one with a vibrating wand—was discontinued, so I’m currently usingone from YSL. I don’t like wearing lipstick because I get it all over my face, so I wear lip balm with a bit of a stain, like Burt’s Bees or Fresh. I also like Nars blush. I always pick a new perfume to help differentiate my characters. Fortunately I was doing the Calvin Klein campaign shoot right before starting this film, and they let me keep the sample ofDeep Euphoria, which is coming out in September. I was like, Oh, my God, that’s perfect for the character I’m about to play. It was good timing. Deep Euphoria is an intense scent but still very feminine. I’m playing a femme fatale sort of character, so I thought she needed a sexy scent.

5:00 P.M. is when we start shooting. Since I’m also a producer on this movie, there’s a constant flow of problems that need to be solved throughout the day, so it can get pretty intense.

10:00 P.M. We break for lunch, and that’s when I schedule all my conference calls and interviews. Then we begin shooting again until late.

5:00 A.M. The days are really long. I rush home because the priority is to get as much sleep as possible. I’m something of an insomniac; I’ve got eye masks and sleep music and melatonin and lots of soothing scents. I do everything possible to try to sleep better. I can’t go home and fall straight asleep; it takes a long time to switch my brain off. Once I get home, I go over the call sheet for the next day or organize for whatever location we’re shooting at.

“When I get home from work, I have a beer shower or a beer bath if I have time.”